Doggerland [four kōans]
What is
this?
It is sometimes
heard, but never seen. It descends to earth on calm moonlit nights. You can
hear it bullroaring from a great height like a shell over a trench. It is the
bird Hakawai passing over Hakawai's garrison. It is an omen of war. Walking and
humming. And the seven lucky gods laugh because they are lucky.
Who is it who
makes a sound so beautiful that you forget everything you know, who is it who
rolls her eggs into the sea and the eggs hatch and a thunderstorm riles the
ocean? It is the bird Alkonost, Alkonost with her human head. Alkonost, the
dark gleaming daughter with a view of the wing of the silent king. That's me
when I'm not there. The great doubt. Death to us all.
Who is dragging
this corpse about? Who counts the seven lucky gods? We have a quorum: fat Hotei
and old old Jurōjin and happy Fukurokuju and wealthy Daikokuten and Ebisu with
his fish. No. It is Bishamonten. And Benzaiten hands the knowledge and the art
and the beauty to Bishamonten and she vanishes. And Bishamonten fingers
Hakawai's red and white and black feathers as if he is telling beads and he
looks at the three star gods, and Shou drops his peach.
And Persian
Suhrawardi says: the principle of sufficient reason is wearing shoes for the
thorns. The reason for knowledge is recovery, he says. Perfection as praise and
perfection as condemnation, says the ghost, I have a map, it says, but I cannot
find the city. Brava, says the ocean, and there is a short silent pause.
Wilna Panagos'
work has appeared or is forthcoming in New Contrast Literary Journal, Gone
Lawn, Otoliths, Museum Life , Medusa's Laugh Press, Prick of the Spindle, The
Undertow Review, Ditch Poetry, Psychopomp Magazine, Altpoetics. She wrote
and illustrated a few children's books and is currently writing something which
may or may not turn out to be a short, odd novel. She believes in orange and
pigeons, has an imaginary dog and lives in Pretoria, South Africa. Her Facebook
alter ego is here: www.facebook.com/mariahelena.havisham
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