The Cost
pebbles rub inside my
boot
your hand against my
skin and I wonder
why I left in the
first place
but I remember now
everything to do with
being brought to my knees
I’d better realize
the worth of this ring you bought me
and never take it off
even when I’m out
with my friends
like the night we saw
each other in Vegas
the tables turned
and you had grown
into the kind of man
every woman could taste and touch
and feel on top of
her
you had a girlfriend
I was involved too
but you said
will you marry me?
I said okay
but I don’t want an Elvis Wedding
and you didn’t care
because we’d known each other since the third grade
what a coincidence
moon and stars
aligned
I’ve loved you since then, is what you said
I remembered your
striped t-shirt
dirty and loose
against your skinny-boy frame
playing dodge ball at
Benjamin Franklin Elementary
and it occurred to me
back then to be nice to you
because you seemed
lost
and no one wanted to
be your friend
not even the kids who
didn’t have any
you promised
everything
all that had been
stored up inside
the one who got away
the one you dreamed
of
who made waves lap
calmly, softly, sticky against the sand
no more crashing into
rocks
spewing and
sputtering
in all four
directions
but a tiger can’t
change its stripes
only God can do that
alchemize something
into something it is not
a dolphin
a rhino
snow into gold
or a man who says he
will never hurt you
no matter the cost
I stick my thumb out
to hitch a ride
backpack slung over
my shoulder
'Ask The Dust' and
'Leaves of Grass'
two dresses, sandals
and a tumbler full of whiskey and seven-up
pictures of me and
you and Elvis, no cash and this ring in my pocket
which I’ll sell the
minute I get to California
words won’t ease your
heart
fixed to the
refrigerator with a magnet from the 99Cent Store
words I said over and
over
but nothing likes to
stick to you
except your body
against mine
numb and heavy
I hope she was pretty
this one
and worth enough
and funny and lovely
enough
for you to play me
against myself
again
a semi-truck stops
and I climb inside
a lady driver
you shouldn’t be out here this late at night
but the bruise on my
cheek quiets her and she turns up the radio
Brian Wilson’s ‘Good
Vibrations’
and I breathe shallow and still
until we’re far
enough down the road
then I begin to sing,
quiet
whatever song comes
through the muffled pipes
mostly sad songs
mostly love songs
but it doesn’t matter
I sing
staving off the
future
praying I will never
return
Bio: Annette Ozolins is a writer and filmmaker and lives in Southern
California with her family. She can be found catching waves in the Pacific or hiking the
Anza desert slot canyons. She loves storytelling and storytellers, it's her weakness. http://www.annetteozolins.com
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