Riddle Me A Riddle
Who is Athena's owl
to
solve the unsolvable
problem?
To crack the
unspeakable code
with his beak?
Who is the
intelligent?
Who is the secular
ivy
climbing the walls of
monasteries,
creeping green up the
columns
of pagan temples?
Where the spirit of
Phidias, of Augustine
ends,
there the permanence,
the
seemly beauty,
immovable,
of stone.
In the great American
west,
inside the bunkhouse
the dancing fiddler
plays
Mozart's music
backwards
to its original
pure and simple
shell;
easy as pie for his
expert supple hands
and fingers.
His audience loves
the mystery
of his skill
more than the music;
that is all right.
John the Baptist,
pure and simple,
lost his head;
mother and daughter
wanted it
sitting on a plate
and they got it
and while it sat,
we saw,
as in a dream,
the walls, the
bulwarks
of his magnitude fall
away,
saw his power evade
us and
surround us, like the
air.
John, waiting on the
one to come,
the Savior, the
solver
of the only certain
problem,
Himself a solution
seeming
clear as the stars
above
and as remote, though
He walked among us.
Did He save and solve
or only create
faraway
white escarpments,
holy
places of refuge
we can never reach?
We see
His violet brow
coming across the
water
of the Sea
of Galilee ,
we see His agony
on the cross,
we know from the
bible
some few details
of His life;
in the simple and
elegant
flow of parables and
miracles
we discern His truth,
but
do we know from Him
any more than we know
from the dancing
fiddler?
Our ardently desired
solution
to the mystery,
our trials, our
travails,
no more, no less than
too much time on our
hands,
too much useless rind
in our heads, so
we can't find our way
to the simple world
where there is no owl
and no problem.
Only the sweet music
of the fiddler
filling
our brief days until
he, too, plunges
in the shadowy ocean
and that is enough.
Jack D. Harvey’s poetry has appeared in Scrivener, Mind In Motion, The Comstock Review, The Antioch Review, Bay Area Poets’ Coalition, The University of Texas Review, The Beloit Poetry Journal and a number of other on-line and in print poetry magazines over the years, many of which are probably kaput by now, given the high mortality rate of poetry magazines.
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