By James H Duncan
Poems that tell stories have always been my favorite, and
collections that do the same, that have an arc and cover more ground than just
a collective of observations, they always win me over. This one certainly does the
trick, and these new poems by Ally pick a fight head-on with every possible
danger we may face in this world—both commonplace dangers and those seeming to swing out of
memories tinged with the surreal and pre-apocalyptic. They feel like
speculative poems anchored in such realism that these delicate nightmares faded
and worn could revive and happen again tomorrow, or could be coming for us
right now.
We walked the narrow
lane down
the only busy street
into town,
our mother’s hearts fluttering
with caution.
Other children had
been found dead.
…
We stole boats and
rowed out into the crater lake.
It had a creature in
it. Everyone knew that.
The poems weave their way through childhood years, all the
while with Ally convincing us that memories are just stories we’re told, nothing more, with
maybe-imagined/maybe-not images coming to light from our buried subconscious.
The poems become mile markers guiding the way through the empty haze of our
youth, making us recall what we need and what we wish we didn’t need, through
days and night when even the mundane events and locations are colored with some
sense that things can go wrong. And things usually go wrong. Ally is able to
hammer this home with striking, frightful scenery, as in “Movie Death”:
He asked me later how
it happened.
And I tell him,
filling in the gaps
with my hopes. I tell
him it was peaceful.
I tell him it was
simple,
the slight fluttering
of the hollow of the throat,
a weak smile, slowly
closing the eyes.
A movie death.
…
I hate this life, I
tell him,
but he’s already
turned away from me,
back toward the
mirror,
on his face a smile
starts but never finishes.
The power in the poems comes from being so close to what we
fear, and how sometimes it's hard to believe whether or not this is really
happening. Yet we have to make choices in these moments, choices that can save us or lead us
to dead ends. Spoiler: there are so many, too many, infinite dead ends.
But these aren’t nihilistic poems. There’s tenderness and
truth, and nostalgia too, though not in a blindly wistful way, but a heavier
feeling than that, with a sad wisdom of having seen how things end up, a feeling
strongly noted in “Summer Lake ,
Late Nineties”:
So young that we could
still hear the
steady throb of our
hearts,
the shudder of our
bones stretching
in skin tightened by
lake water.
So horribly breakable
young that
some of us will not
survive and
some of us will stay
this way.
Too young to realize
that
this time was,
mercifully,
not going to last.
As the poems progress, we witness the balance between the aching
boredom of growing up and the wild sound and vision of time passing so fast
that every day becomes a car accident of fates and love and fears coming true.
The writer matures throughout the book, the arc reaches forward as it looks
back. Old horrors that seemed so surreal are replaced by the all too common torments
of adulthood. In “Backache”:
I tell him my back
hurts and he pulls me closer
so that his arm,
which is under me,
can reach up and rub
my back.
…
Which is sweet of him,
I think,
because I know
it’s the
soon-to-be-diagnosed cancer
that is eating my
family
come
finally, to feast on
me.
The poems claw through a marry-go-round of nightmares and
worries, and they toughen the writer, and the reader. Scars accumulate. The
boxing tape frays but holds tight for the next round. There are lessons through
all this. The poems keep coming as the days keep coming, and there are good
ones and ones that make us cry, but we learn that if the days won’t stop,
neither will Ally, not until they finally run out. The least we can do is to
keep pace with her, keep reading, keep writing, keep punching.
It’s a hard life
but it’s our life and getting through it all may feel like trying to fit the
ocean in your mouth, but what other choice do you have?
This wonderful meaningful book is now available from Blue
Hour Press.
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