By James H Duncan
Yes, Thompson can write a good poem about the
rough-and-tumble lifestyle on the road or that outcast troubadour who doesn’t
want to end up as the “local hero” poet. These are entertaining indeed and he
can work the coffee- and whiskey-stained memories into a fine set of stanzas,
but it’s when he explores a specific person, place, or theme beyond the poet
that Thompson’s work separates itself from the rest of the jackal pack.
The first poem in the collection that really sank in the
claws was the Twin Peaks-inspired “Fire Walk With Me,” exploring the “would-be
heroes” chasing after “an abhorrent devil” in the deeps dark woods of
humanity’s night. Follow that with “Memphis ,”
a poem dedicated to (and seemingly told by) the late great Jeff Buckley,
telling us “don’t let the ghosts I’ve exorcised / become sad laments.” What a hell of a request from beyond the grave. These
standout poems light up the landscape of this collection like cities on the
road-trip horizon, and there’s something wonderful that happens when Thompson
takes the lines about loners and drifters and hard-asses and applies them to
something greater than just another poet rambling around, to some social or
cultural trope, weaving a greater mythos into the day-to-day—these are the
poems that truly shine and stand out best in this collection.
And it’s a damn fine collection of force and grit, gorgeously packaged inside and out by
Hell Press. Throughout the book we meet all sorts of down-and-out characters,
their stories told in Thompson’s acerbic and darkling voice, from Madame Lucy,
the last of the live nude girls performing just down the street from Port
Authority, to the legendary Sal and Cody, roaring through the roads of America,
reminding us that “just like the highway / nothing goes on forever.”
This shambolic collection doesn’t shift its tone often, but instead shows you a landscape shaded in Thompson’s evening hue, taking the reader on a edgy ride where things won’t likely go as planned. But that’s always been the plan in life, whether we’ve liked it or not, hasn’t it? Indeed. I highly recommends these poems.
This shambolic collection doesn’t shift its tone often, but instead shows you a landscape shaded in Thompson’s evening hue, taking the reader on a edgy ride where things won’t likely go as planned. But that’s always been the plan in life, whether we’ve liked it or not, hasn’t it? Indeed. I highly recommends these poems.
I am humbled by the praise and thank you for the review.
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