We’re all haunted by something.
I remember trying to score
an apology out of a dead relative once a few years ago using a Ouija board. Sure, I was terribly
intoxicated and in trying to conjure this sorry soul, my wobbly fingers
harassed the Ouija board more than they invited the dead to speak. But
that’s another story – and it didn’t find itself in this book, which offers a
broad selection of work by various poets and storytellers.
I went into reading this anthology assuming it would mostly
creep me out – and it did, but in equal measure it implored me to wonder what
the haunted had done to earn the attention of the ghosts, or why they were the
ones chasing after or trying to catch these spirits.
The collection opens with Kitty Coles’ “On the Capturing of Ghosts”, where she elaborates how to jar these souls and send them to the dirt where they were meant to be.
Then call him by name,
the syllables
that still shape him,
and invite him to taste:
ghosts are grateful
for invitations.
It’s a cold poem to open with, and fitting considering
humans are as guilty as ghosts in acting with trickery. The poem sets the tone
for the book, suggesting an urgency for acknowledgement.
Further in, Carole Bromly offers “Reincarnation”, a short
poem that lingers on and on with stunning imagery and the sort of alliteration
that tempts intimacy:
When I come back it
will be as a watch.
I will rest on the
wrist of a woman
who barely glances at
me
though I’m warmed by the thud
of her pulse.
though I’m warmed by the thud
of her pulse.
As expected, there’s also plenty of stories to make your
skin crawl and endings that’ll leave you a bit leery to walk into the fog. But
there’s much more than what could be assumed by its title. There’s something
for everyone in White Noise & Ouija
Boards: beautiful language colliding with frightening metaphors;
storytelling curving from soft memories to stark realizations; and carefully
crafted confusion tripping the plotlines.
Kate Garrett and Caroline Hardaker have tied a fantastic collection of work together that’s both cohesive and unpredictable.
Kate Garrett and Caroline Hardaker have tied a fantastic collection of work together that’s both cohesive and unpredictable.
White Noise and Ouija Boards is available from Three Drops Press.
- Rachel Nix
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