SELF-STORAGE
AS SELF-SABOTAGE
It’s expensive
to cling to the physical
manifestations of the past
on a suburban refugee’s
modest urban budget–
my storage unit costs me
a couple hundred a month,
and it’s full of things
I’ve realized I can
just take pictures of
and discard, heavy trinkets
of my former lives
left at the roadside behind me
on a long journey forward
that’s expensive on its own.
Memories don’t cost a thing,
but the fog of time is a taxation
the universe offers me as I age
and begin to forget who I was
and where I used to come from.
It’s hard enough trying
to figure out who I am now
or what I’m going to collect next
like dust under my fingernails,
with no room for any more junk
until I look under my bed
and figure out what to do
with the many random things
that I forgot were even there,
like most of the many items
that have proven to own me
more than I think I own them.
Kevin Ridgeway is the author of Too Young to Know (Stubborn
Mule Press, 2019), Invasion of the Shadow People (Luchador
Press, 2022) and Death of the Coppertone Girl (Luchador Press,
2025). His work has appeared in Hiram Poetry Review, New York
Quarterly, Paterson Literary Review, Gargoyle, Slipstream, Chiron Review, Nerve
Cowboy, Heavy Feather Review, San Pedro River Review and Trailer
Park Quarterly, among others. A Pushcart and Best of the Net nominee, he
lives and writes in Long Beach, CA.
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