Nancy Byrne Iannucci

Channel 29

 

We were the first to have cable

on MTV launch day, August 1st, 1981.

It was a hot, bright day on Long Island

when Video Killed the Radio Star

eclipsed our perception of life on Earth-

pictures came and broke your heart…

we can’t rewind we’ve gone too far.

Our living room became a place of worship

where friends congregated to venerate false gods on screen,

slamming guitars, pounding keyboards

in Zod trio outfits that looked like

they had just returned from the moon

on a drum kit while high on acid.

we wanted to be them:

David Bowie, Duran Duran

Robert Smith, Boy George,

big hair, moon boots,

Halloween make-up all year round.

The channel, from then on, was MTV

unless someone switched the buttons on “the box”.

There was no remote -

It was a Jerrold box, the size of a Belgium block,

with three rows of numbers and buttons,

and a side wheel like a casino slot handle,

that took you down to the double digits.

MTV was down there, three clicks

on the finger wheel to channel 29,

and it was there that it remained

 

until MTV lost the M in its TV,

slipping away like a song crossing state lines.

 

We thought music was its essence-

A sempiternal symphony of the new and raw.

We don’t know what it stands for anymore.

We can’t rewind they’ve gone too far.

 

 


 

When Pluto was a Planet

 

T.Vs. rolled into classrooms on wheels.

We loved those days when the TV stood

in front of our desks like robot Johnny 5.

We wanted to dance with it, roll around

in ecstasy for making part of our day

 so unchallenging.

 

We thought we were going to watch the usual:

Davey and Goliath, The Clyde Frog Show, or

Slim Goodbody aka Mr. Goodbody,

who looked like Richard Simmons in an unitard

that depicted anatomically correct organs,

bones, and body parts.

 

But it was Tuesday.  No ordinary Tuesday.

It was Tuesday, January 28th, 1986 –

The TV was here to broadcast the launch -

The space shuttle, Challenger launch.

 

Out walked the seven astronauts –

My eyes were fixed on Christa McAuliffe,

a history teacher, which was always my favorite subject,

and Judith Resnik, who was the second American female,

and first Jewish woman in space. 

 

 

I wondered what McAuliffe’s students

were doing & saying at this moment,

and then the sound came:

the mushroom liftoff,

seconds later, 73 seconds later,

                         

                              the explosion,

 

that transfigured the rocket into a cumulus cloud.

the TV promptly shut off and rolled

a slow roll out of the classroom.

 

Teachers congregated in the hall

unable to process the situation,

some were crying.  We were left

confused for what felt like an eternity.

 

Our teachers must have spoken to us,

tried to console us, but I don’t remember it.

What I do remember is Christa McAuliffe’s sister,

She was the last image I saw on the roll-out TV

a face of inconsolable grief.

 

And now, when I hear

Ground Control to Major Tom /Ground Control to Major Tom

Take your protein pills and put your helmet on

Ground Control to Major Tom (Ten, nine, eight, seven, six)

images of the Challenger surface like PTSD

When Artemis II launched in April,

images of the Challenger surface like PTSD

 

the heart rate rises, the sweat is always cold,

and it will never go away, like Pluto,

regardless of the IAU’s reclassification-

it will always be our ninth planet.




Nancy Byrne Iannucci is a New York-based writer and author of four chapbooks. Her first full-length poetry collection is set for publication in 2027. A two-time Best of the Net nominee, she was short-listed for the 2025 Poetry Lighthouse prize. Her work appears in several places including Thrush, Maudlin House, Glass, and Belladonna's Garden Literary Review. She lives in upstate NY with her three cats. Web: www.nancybyrneiannucci.com IG: @nancybyrneiannucci



No comments:

Post a Comment

Note: Only a member of this blog may post a comment.


The views and opinions expressed throughout belong to the individual artists and may or may not coincide with those of the other artists (or editors) represented within the magazine. Hobo Camp Review supports a free-for-all atmosphere of artistic expression, so enjoy the poetry, fiction, opinions, and artwork within, read with an open mind, and comment wisely. Thanks for stopping by the Camp!